of 
Zoom
Inquire

"Crest of The Wave" by, Harriet W. Frishmuth

An important and rare American Art Nouveau patinated bronze sculpture "Crest of The Wave" by, Harriet Whitney Frishmuth depicting a nude woman emerging from with in the wave. The sculpture is a top its original black belgium marble base and is finished in tis original patina. The sculpture is signed, "Harriet W. Frishmuth" ©1925 and impressed "Gorham Co. Founders QFHL"

Measurements:
height: 21 in. x width: 4.125 in. x 5.125 in.

circa 1925

Illustrated:
"Sculptured Hyacinths" by, Charles N. Aronson ©1973 pg.59

"Captured in Motion" The Sculpture of Harriet Whitney Frishmuth A Catalogue of Works; by, Connor, Lehmbeck, Tolles; ©2006 pg. 178

"Famous Small Bronzes" by, The Gorham Co. ©1928, pg. 13

Next Piece Previous Piece

"Crest of The Wave" by, Harriet W. Frishmuth

Name
Email Address
Comments
Please enter the word in the box

Close Form

An American sculptor known for her works in bronze Harriet Frishmuth was born in Philadelphia, PA in 1880. She moved to Europe at an early age with her mother and two sisters. She received most of her early schooling in Switzerland and was introduced to sculpture at the age of 19. Moving to Paris she inquired about art classes and the only one she could find open to women was a class taught by Auguste Rodin. She also studied under Gauguie and Injalbert and spent two years in Berlin as an assistant to Professor Cuno von Enchtritz.

She returned to the United States and studied with Hermon MacNeil and Gutzon Borglum at the New York Art Students League and worked for a year in Weehawken, New Jersey, with Karl Bitter. For an understanding of anatomy, she studied dissection at the college of Physicians and Surgeons in New York for two years.
Her career was an outstanding success. Her bronze sculptures were exhibited extensively and were in great demand by collectors.
She was a member of the National Sculpture Society, Allied Artists of America, New York Municipal Art Society, American Federation of Arts, the Architectural League of New York and the National Arts Club. She was elected an Associate Member of the National Academy of Design in 1925 and a Member in 1929.

Her sculpture was exhibited at the Paris Salon, the National Sculpture Society, Architectural League of New York and the Pennsylvania Academy of Fine Arts. Her work was shown at the Panama Pacific Exposition of 1915 in San Francisco, at the National Academy, with the Allied Artists of American and with the American Garden Club in Philadelphia. The list of the awards and metals she received for her work is extensive.